Harri splits his days between stocking shelves, painting, and trading stories with the regulars who drift through his corner of the Main. A fixture of the Plateau since he started working "The Dep" at seventeen, he's spent the past decade turning that same corner into a kind of open studio watching an ever-shifting cast of neighbours, wanderers, and visitors from Montreal and far beyond pass through his days.

That rhythm shows up in the work itself. Harri's paintings are built on form and colour, rendered with a pin-sharp precision that comes from years of quiet, repetitive practice brushstroke as meditation. The result is labour-intensive and deliberate, carving still, contemplative moments out of the noise and motion of neighbourhood life.